I've also got this going. It's direct plaster onto chicken wire inspired by the fabulous Audrey Reynolds.
I cut some chicken wire and then connected/sealed it into a pillow shape. I am looking for a lot of in and out in the sculpture. I am interested in the rippled surface of seeds like dates and nuts and have attempted to recreate this here.
Scrim is cut and dipped into wet plaster, then applied directly to the chicken wire. I have used two different types of scrim, one a tight knit gauze and anotherthat is woolier and thicker.
Here's a couple of hours worth of plaster applied. It's getting heavy.
But here I am lifting the alternative F.A. Cup
Thursday, November 29, 2007
Wednesday, November 28, 2007
Lost Wax at Home
Emergence sans Sprues
Saturday, November 24, 2007
ॐ शांति शांति शांति
Friday, November 23, 2007
Lost Wax Process 5
Thursday, November 22, 2007
Glazing
Each week I have been trying out new glaze effects on those bit of clay I made in September. The purple wisteria colour is a matt underglaze which was fired then covered with a clear glaze and refired to produce the more shiny effect. The two browner pictures are mainly clear glaze with just a little colour beneath.
Thursday, November 15, 2007
Lost Wax Process 4
Thursday, November 01, 2007
Lost Wax Process 2
The finished wax is a human-like form emerging from the primordial waters. Sprues are added to aid the flow of molten metal to all parts of the sculpture.
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