The wax model was encased in a plaster mould and left for a week. The mould was shaved to fit the wax melter in the studio and then I melted out the wax, which took a while as the whole mould had to get hot enough to melt the wax in the head. Then I cut up and melted some low melt metal in a saucepan - Paul says it is primarily tin - it's pretty soft. The liquid metal was then poured in to the mould. I had made wax sprues on the model to allow the molten metal to flow to the head and other difficult areas. Then, the moment of truth: the plaster is broken away and sure enough here is a metal version of my wax sculpture! You can see the sprues, from the chin to the lap for instance, which now need filing off.
THIS IS A RECORD OF MY WORK BOTH IN THE STUDIO OF PAUL BADGER & ELSEWHERE. I AIM TO DOCUMENT TIPS & PROCESSES, TAKE PICTURES & VIDEOS FOR ANYONE'S EASY FUTURE REFERENCE. ENJOY YOUR VISIT & FEEL FREE TO COMMENT OR CONTACT ME
"David I loved your sculptures..they are very, very beautiful"... Bernarditazul, Chile
"Adored your webpage, especially the cement fondu head" ... Fionna, Western Australia
"David, that is absolutely brilliant!"... Mariora, London
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